How best to describe the interminable, exhausting year that was 2016? It was the year that stole away Muhammad Ali, David Bowie, George Michael, Leonard Cohen, Maurice White, Carrie Fisher, Debbie Reynolds and Prince. 2016 saw tens of millions of Americans engage in a national tempter tantrum and nihilistic fit as they discarded America’s moral leadership in the world by electing an authoritarian leader and fascist as president.
2016 was the year of the big payback. The United States has meddled in the elections of other countries and overthrown democratically elected governments around the world. Russian President apparently Vladimir Putin did the same thing to America as he and his agents helped Donald Trump defeat Hillary Clinton. 2016 was the past-as-present along the color line: In keeping with their historic origins as slave patrollers and enforcers of American apartheid, America’s police continue to harass, kill, and abuse black and brown people with (relative) impunity. There was resistance from groups such as Black Lives Matter and the stalwart members of the Standing Rock Sioux Tribe who stood up against injustice, prejudice, racism, corruption and bigotry.
But in searching for the words to describe 2016 and what the American people can expect in 2017, First Lady Michelle Obama said it best when she recently told Oprah Winfrey that, “We feel the difference now. See, now, we are feeling what not having hope feels like …” In that moment, Michelle Obama demonstrated, once again, how she is a role model of class, dignity, intelligence, and black respectability. She and her husband are national treasures. Their leadership will be truly missed.
The ignorant buffoon Donald Trump is their direct and stark opposite.
He is an example of life imitating art, and of political absurdist theater as national policy. 2016 was Trump’s year: on Election Day the movie “Idiocracy” somehow combined with the white supremacist fantasies of “The Turner Diaries” and a bad political thriller written by Tom Clancy or Dan Brown to hoist him to power. People of conscience watched Trump’s ascendancy in disbelief. This could not be happening … except that it was. The counterfactual and “what if?” scenario about fascism coming to America was no longer the stuff of speculative fiction or pulp magazines and comic books.
If Donald Trump’s ascendance to power is (poorly written) fiction made real, it resonates in an eerie way with a little-appreciated short story from several decades ago.
The 1994 TV short film “Space Traders,” directed by Reginald Hudlin of “House Party” fame, was based on a story of the same name by the late Derrick Bell and aired as part of an anthology called “Cosmic Slop.” It explores what happens when extraterrestrials made “first contact” with the United States — using a holographic projection of Ronald Reagan — and offer to solve all of the country’s economic and environment problems. As proof of their power, the aliens turn the Statue of Liberty into solid gold and clean the polluted air over Los Angeles and Denver. The extraterrestrials have a price for this service. All black Americans with skin darker than a brown paper bag must be given to the aliens, for purposes unknown.
Will African-Americans become food, pets, subjects for experimentation? Perhaps they will be feasted, protected or worshiped? The extraterrestrials provide no answers. In an ultimate solution to the centuries-old “Negro Question,” a Republican president and his administration (aided by a black conservative) debate the merits of the offer and eventually decide that the American people should vote on the matter. Black Americans are a minority group. Consequently, they are outvoted by the majority. Of course, this outcome has the superficial veneer of being “fair,” because the outcome was “democratic.” The safety, security, and freedom of black Americans are treated as something illusory, debatable propositions instead of inalienable civil and human rights. “Space Traders” concludes with millions of black Americans — much like their ancestors who were loaded into the bowels of slave ships centuries before — being marched at gunpoint into the cargo holds of the alien vessels.
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