As I have suggested several times before, Trump is modeling his persona and campaign off of a "heel" (the villain) in professional wrestling. He lost his energy in Iowa; he got it back in New Hampshire by following the professional wrestling script.
Trump has called Ted Cruz a "pussy", said that Iowa was "stolen" from him, and gave a rambling speech to celebrate his victory in New Hampshire. The crowd erupted with chants of "U.S.A.". All we now need are women throwing their moist panties and sweaty bras onto the stage for Donald Trump's performance to achieve perfection.
It would seem that Donald Trump followed the advice I offered him several days ago in the essay below.
[And to my great pleasure, professional wrestling legend, the one and only Jim Cornette, gave his approval via Twitter to my analysis]
What comes next good people? "Trumpmania" is running wild! Will it burn itself out?
****
“Trumpmania” was not running wild during the Iowa caucuses. He finished second behind Ted Cruz. Donald Trump, the man who always wins and never loses suffered a powerful body blow in a political fight that many observers believed he was predestined to win.
The question now becomes, how will Donald Trump respond in next week’s New Hampshire presidential primary?
Donald Trump is a political performance artist. His oeuvre draws inspiration from several backgrounds simultaneously.
Donald Trump is a con artist and a Mark Twain-like confidence man who makes ridiculous promises that his desperate followers trick themselves into believing. Donald Trump is also a magician who uses rhetorical evasion, doublespeak and sleight of hand to work his public and the news media.
But most important, Donald Trump is a student of professional wrestling. As I pointed out in an earlier essay here at Salon, he is one of the greatest villains (or in the parlance of professional wrestling a “heel”) in American public life.
(To my surprise, even the New York Times’ resident conservative David Brooks has accepted the veracity of my Donald Trump as professional wrestler framework.)
Trump’s connections with professional wrestling are much deeper than a friendship and association with the company now known as World Wrestling Entertainment and its owner (and fellow billionaire) Vince McMahon.
As I suggested back in August:
Of course, most Americans are probably now most likely to associate Trump with his maddening and ridiculous, yet unexpectedly ascendant, campaign for president. And yet, believe it or not, his time spent in the world of professional wrestling is invaluable for understanding the path he has cut through the GOP primary field — because the playbook employed by Trump over the past several months bears an uncanny resemblance to the storytelling and character-building stratagem of professional wrestling. One could even be forgiven for concluding that Trump is directly calling on his knowledge and love of the performance art to create one of the most captivating — and entertaining — political stories of recent vintage.
Professional wrestling is a spectacular type of storytelling that draws on classic narrative forms to emotionally engage the audience with the physical feats that occur inside the ring. At both its best and worst, professional wrestling is exaggerated, ridiculous, over the top and outsized. In fulfilling that role, the best professional wrestlers take an aspect of their own personality and “turn the volume all the way up.” In all, they are actors who sacrifice their bodies for the pleasures of the audience in a simulated contest of physical skill.
Of course, Donald Trump is not taking “bumps,” i.e., actually fighting with his political rivals inside a wrestling ring. But, he is engaged in political combat.
As such, the typologies of the professional wrestling heel inform Donald Trump’s political shtick.
The professional wrestling heel/villain comes in several forms. Some heels are bullies who mock, humiliate, intimidate, demean and make fun of their rivals and the fans who cheer the hero (or “face”). Heels can be very unattractive and brutish physically. Other professional wrestling villains such as the legendary Ric Flair, Ted DiBiase, or Nick Bockwinkel modeled themselves after millionaires, Hollywood celebrities, or high-class socialites who have nothing but disdain for the “common man.” And almost all heels lie, cheat, break the rules, or use other duplicitous means to win their matches.
The professional wrestling heel does not want the empathy of the fans. He or she draws power from their boos and condemnation as the professional wrestling face eventually gets revenge and gives the villain their much deserved comeuppance.
When Trump rails against “political correctness,” talks about the “silent majority,” calls women names, demeans and belittles non-whites, gins up violence against protesters at his rallies, and mocks his fellow Republican contenders as “low energy,” “weak” or as liars, he is using the tricks of the professional wrestling heel. As ultimately, it is the disapproval of liberals, progressives, and many in the conservative establishment that makes Trump popular among his backers.
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